This
is one of the most graphic embodiments of tragic vision by
any artist – Aristotelian "pity and terror"
– a devastating visualization of Dante's words that
is finally also (and must be) beyond words.
-Lloyd Schwartz, Pulitzer Prize winning critic and poet
The
Inferno,
the first and most familiar of three sections of The Divine
Comedy, was completed early in the 14th century, by the poet
Dante Alighieri while in exile from his beloved city of Florence.
The poem, written in the vernacular Italian rather than Latin,
expands the traditional troubadour love song/poem into a journey
defining the human condition. Its exploration of sin and weakness
retains its universality because we still recognize all of
its elements in our own time and in ourselves. The Inferno
is a poem of despair, sadness and loss culminating in the
hope and ultimate redemption that Dante, the pilgrim, finds
in the Purgatory and Paradiso, which complete the Divine Comedy.
The long history of illustrations of this poem traditionally
includes the figures of Dante and Virgil on their journey.
Michael Mazur has chosen to show what they saw rather than
their seeing of it.

In 1993, Farrar, Straus and Giroux published to great acclaim
The Inferno of Dante, translated by Robert Pinsky a illustrated
with reproductions of monotypes by Michael Mazur. Now in this
suite of forty-one etchings, Mazur makes the Inferno images
available as original prints. His version extends and deepens
the record of his lifelong reading of Dante's poem. Each image
faces the relevant excerpted portion of Dante's poem in Italian
with Pinsky's English translation. Presented in two beautifully
designed formats, one format contains two bound volumes, the
other is portfolio bound, with loose pages. This is a communion
of three masters: the Italian poet, his premier modern translator,
and a contemporary master in the art of printmaking. This
website contains a complete set of the images and the texts
that they relate to, in Italian and in English.
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